Search: Starring Jason Schwartzman

Anderson has absolute command of his craft and his cast are moulded to it.

Filled with awkwardness and tension, the film acts as a spotlight for all the actors.

Burton does not think he needs to make up his mind about the tone of the movie. It is like a child ordering an ice cream with five kinds of toppings.

Sadly the main story... is pretty dull, uninspired stuff

Chaotic, funny, beautifully shot and performed with a childlike deadpan.

A fantastic adaptation that manages to surpass its source material while staying entirely true to its spirit.

The film lacks strong enough dialogue to do justice to the boldness of its script.

An emotionally engaging tale that sucks you in with its gentle humour and melancholy.

Colours and style ooze from the screen.

This is as inventive and left field as Being John Malkovich, but with broader smiles and bigger issues.

This is definitely among the spookier animated Christmas tales out there, and it's liable to give more sensitive little ones some serious chills.

The moments of distinctly sub-Woody Allenesque humour make you dream of what might have been.

Coppola has style, but sometimes employs too much of it.

An in-depth portrait of the production, a rare opportunity to see how a film on that scale is put together.

With its genuine Versailles locations and sumptuous costuming, Marie Antoinette is a feast for the eyes.

It is described simply as “A Fable”, but there is nothing simple about this over-ambitious allegorical sprawl.

The perfect summer movie for the eternally 12 who like to travel in style.

Resembles the first 15 minutes of a porn flick

Maya Forbes and Wallace Wolodarsky love their protagonist just a bit too much.

There’s also an emperor’s new clothes feeling to the general style, look closely and there's very little there.

What gives this film an edge over conventional rites-of-passage movies is its oddity.

The end result, though well-mounted and featuring knock-the-soot-out-of-your-chimney performances from Emma Thompson as Travers and Tom Hanks as the movie mogul, feels more like a Disney theme park version of events than the real story.

Writer/director Andrew Niccol makes his point with the subtlety of a Vin Diesel chat up line.

The gags are gratuitous and the sex is lame.

For all the postmodern presentation, every emotion here ultimately rings true, and there are enough great ideas, oddball characters, amiable performances and big laughs to ensure that this remains a cult favourite.

Modest and beguiling.

There are some astonishing sequences that leverage the freedom animation has to move perspective.